The LAC Lugano Arte e Cultura was a great challenge, the largest architectural and urban planning project ever carried out in and by the city of Lugano, an important work not only for its size, but also for the concept it concretised: a desire for renewal and continuity, territorial and urban, historical and cultural. The project includes the huge new building and the square, but also the redevelopment of the former Grand Hotel Palace, one of the most beautiful historical buildings on the lakeside, and the adjacent 16th century convent complex, connected to the church which houses some of Switzerland's most important pictorial masterpieces. A choice motivated by the intention of creating a complete system, a new urban layout propeller of change, capable of dialoguing with the other parts of the city. In this sense the site itself is significant: on one side is the historic city, on the other the new quarters; in front is the lake, behind it the hill. Nature and city meet at their central point.

All this has been seamlessly translated and included in the splendid architectural invention that is the LAC. Over 180,000 cubic metres, rising over 29,000 square metres, designed to be a new viewpoint on reality, without obstacles or closures.

Architecturally speaking, two orthogonal wings make up the structure: the one perpendicular to the lake, containing the museum, is suspended on pillars, really like a raised wing that lets the air and the view flow towards the open space of the lake; the other, housing the concert and theatre hall, runs parallel to the shore towards the centre. When they intersect, they merge into the hall, a grandiose space pervaded by light that bursts through the full height of the building from the glass walls, facing the amphitheatre and the park on one side, and the vast Piazza Luini - Lugano's largest - on the other, which leads to the lake and constitutes the external soul of this immense public space, created to be, and become, the city's meeting point.

The LAC has transformed Lugano's cultural and urban planning. Since the city wanted it to be not just a container but the driving force behind a new district where art and culture could meet and express themselves, it had to include all the necessary spaces and resources. For this reason, it focused the city's planning and economic efforts on itself and became not only a significant project but also the most important gesture in setting the new course to be followed.

The complexity of the project required a proposal that precisely met the city's expectations. For this reason, a competition was launched in 2001, in which 130 firms took part and was won by Ivano Gianola, an architect who has always designed works closely linked to the place. And so was his design for the LAC.

The cultural centre, with its entire complex, encompasses several architectural gems that already exist in the area, such as the important church of Santa Maria degli Angioli with frescoes by Bernardino Luini from the 16th century. The entire structure appears to be at the centre of a cross: on its sides are the old town and the new urban expansion area extending towards Paradiso, behind it the hill with the park and in front of it the lake.
 It thus becomes a kind of filter, a pulsating heart of the city that gives life and encompasses various urban elements.

The best place to admire this project and understand the vision that inspired it is Piazza Bernardino Luini.
 Surrounded by the modern silhouette of the LAC and the historic façade of the former Grand Hotel Palace, which has been converted into a residential complex, it is itself part of the design and represents the essential and complementary external lung, where the passageways flow and from which all the possibilities offered by the new centre emanate. Today, it is the largest square in Lugano, and its width allows it to balance the magnificent architecture of the building and welcome visitors who begin their exploration here, entering the courtyards of the old part or stepping into the majestic geometry of the hall to enter the museum or theatre.

The 650 square metres of this imposing atrium, which extends uninterrupted to the top of the building, are made even larger by the double transparency of the glass walls, which face the square and the lake on one side and the amphitheatre and park on the other, eliminating any perception of a distinction between inside and outside. This welcome is complemented by easy access to services for the public: ticket office, cloakroom, bookshop and restaurant, which are connected to the other rooms by a staircase linking all floors.

The left wing, with its sublime and pointed shape clad in green marble, is dedicated to the works of the Museo d'arte della Svizzera italiana (MASI): three exhibition floors with a total area of 2,500 square metres house the prestigious collections of Lugano and the Canton of Ticino. The rooms are linear and inviting, perfectly calibrated in the white, carefully lit walls, with no openings except for the last wall, which is broken up by a long window interrupted by glass panels, the ‘painting of the architect’, as its creator, Ivano Gianola, defined it. A view of the outside world that frames the old town and Monte Brè from the first floor and Monte San Salvatore from the second, as if to reaffirm the connection with the territory that underpins the architectural design of the LAC.

The right wing, on the other hand, is the realm of the theatre and concert hall: 800 square metres with almost 1,000 seats for a compendium of aesthetic and technical research. Thanks to the collaboration between architect Ivano Gianola and Munich-based company Müller BBM, a leader in the field of acoustics, this hall has absolutely exceptional adaptability, enabling it to host symphony concerts of the highest standard as well as operas, dance performances and theatre productions.

3D virtual tour

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