Tuesday 14 April

Sala Teatro

Wednesday 15 April

Sala Teatro

With I miei stupidi intenti, based on the novel of the same name by Bernardo Zannoni, winner of the 2022 Campiello Prize, the VicoQuartoMazzini theatre company continues its exploration of contemporary Italian literature, delving into a world populated by animals who seek God and then reject him, who dream of being human and ultimately prefer to remain beasts.

Archy is lame. For this reason, his mother, a weasel who was widowed in the middle of winter, sold him for the paltry price of one and a half chickens. He was bought by an old fox-loan shark who will teach him how to abandon his animalistic life of hardship and cruelty. Through the revelation of words and language, Archy will be overwhelmed by the great contradiction of the human world: the awareness of death coexisting with an unbridled desire for eternity.
‘In the story of Archy and in the writing of the twenty-year-old Zannoni, there is something powerful and mystical, the force of myths and hagiographies,’ writes VicoQuartoMazzini. It is the parable of an animal that tries to get closer to God, fails, and tries again; of a creature that has the foolish intention of trying to be more than it is. [...]
We imagined a near future in which humanity has lost (or rather, destroyed) everything and finds itself with nothing but useless technology. In this mythological and post-apocalyptic scenario, a community of survivors gathers around a story, a book, a fire, and tries to make it an instrument of eternity. The story of the weasel, the parable of its life, thus becomes a primitive and contemporary song, which we listen to, obsessed, like Archy, by the big questions we cannot answer."

dal romanzo di
Bernardo Zannoni (Sellerio editore)   

ideazione
VicoQuartoMazzini 

regia
Michele Altamura
Gabriele Paolocà

drammaturgia
Linda Dalisi
Gabriele Paolocà
Michele Altamura

con
Michele Altamura
Leonardo Capuano
Giuseppe Cederna
Jonathan Lazzini
Gabriele Paolocà
Arianna Scommegna

scene    
Daniele Spanò

luci
Giulia Pastore

costumi
Aurora Damanti    

musica originale
Demetrio Castellucci

sound design
Niccolò Menegazzo     

aiuto regia
Giulia Odetto

cura della produzione
Francesca D’Ippolito

produzione    
LAC - Lugano Arte e Cultura,    Scarti Centro di Produzione Teatrale d’Innovazione, Piccolo Teatro di Milano - Teatro d’Europa, TSU - Teatro Stabile dell’Umbria, Teatro Nazionale di Genova.

The allegorical power of I miei stupidi intenti (My Stupid Intentions), encapsulated in the animal/human dichotomy, allows us to freely recognise ourselves in its deepest symbolic meaning. The journey towards understanding a marten, narrated throughout its entire life, makes us reflect on our own, and its unresolved questions are those of our daily lives.

What are our intentions?

What do we have to respond to the demand for awareness, meaning, and purpose? Only words.

The word of God has always been a refuge to appease the desire for self-determination, as it dispenses with existential questions, entrusting any claim to awareness to the mystery of faith.

Is this, then, our intention: to seek comfort in something greater than ourselves?

What if, instead, we prefer the word of Man to that of God?

‘These are words, they belong to the paper and they remain,’ says the marten, reading the book that recounts the life of the fox. Writing allows us to stop time in our own way, allowing us to tell what we want, making us masters of our own story. Through writing, we decide what to save and what to let disappear: what form to give to the past. In this sense, we become responsible not only for what we experience, but also for what remains of us. So is this our intention: to hold on to the weight of memory?

And what, then, is our foolish intention as directors?

To tell stories on stage to evoke imaginations greater than ourselves, or to attempt to stop time through the creative act, in the hope of becoming, in turn, memory?

We feel the responsibility to bring these questions to the stage, to understand whether theatre can provide an answer or whether, instead, it is just another foolish intention.

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