Wednesday 20 March

Sala Teatro
from 27.- to 39.- CHF

Thursday 21 March

Sala Teatro
from 27.- to 39.- CHF

Anna Della Rosa and Valter Malosti, the winners of many awards, are the protagonists of Antonio and Cleopatra, a love tragedy, a political drama, but also a memorable discourse on art and the artistic experience that the Bard wrote around 1608, mixing tragedy and comedy.

“As far as Antony and Cleopatra is concerned, my generation has especially impressed in its memory the image, bordering on kitsch, and seen through the magnifying glass of the great cinema of Hollywood, of the couple Richard Burton/Liz Taylor. But on this disenchanted and mysterious work, which mixes tragic, comic, sacred and grotesque elements, on this wonderful philosophical and mystical (and alchemical) poem which sanctifies eros, which plays with high and low, written in verses that are among the highest and most evocative of all Shakespeare’s works, hovers, for more than one scholar, to demonstrate their profound complexity, the shadow of our great Italian philosopher Giordano Bruno: a theatre of the mind.
For Antony meeting Cleopatra - a "Serpent of the old Nile" who sits on a throne covered in the mantle of Isis - is what gives meaning to his journey in life. As for Cleopatra, Nadia Fusini writes, "she is the priestess of a dramatic action from which arises again and again the age-old question, which already obsessed Zeus and Hera: who enjoys love the most? The man or the woman? [...] and the one who loves the most, possibly enjoys it less? And of the lovers, who receives the most? […] These are questions which, in the logic of the erotic economy with which Shakespeare plays, explode with a crash, dissolving puritanical machinations aimed at legislating in a repressive sense on the incandescent material of eros”.
Antony and Cleopatra is an optical prism, as Gilberto Sacerdoti suggests: “Seen from the front, it is a story of love and politics as narrated by Plutarch. Seen from the side, it invites us to decipher "the infinite book of the secrets of nature". To find an equivalent of Antony's infinite love, therefore, one must necessarily discover a new heaven and a new earth.
– From Valter Malosti’s directors notes 

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William Shakespeare

uno spettacolo di
Valter Malosti

traduzione e adattamento
Nadia Fusini
Valter Malosti

Anna Della Rosa
Valter Malosti

e con
Danilo Nigrelli
Dario Battaglia
Massimo Verdastro
Paolo Giangrasso
Noemi Grasso
Ivan Graziano
Dario Guidi
Flavio Pieralice
Gabriele Rametta
Carla Vukmirovic

Margherita Palli

Carlo Poggioli

disegno luci
Cesare Accetta

progetto sonoro
GUP Alcaro

cura del movimento
Marco Angelilli

maestro collaboratore
Andrea Cauduro

assistenti alle scene
Marco Cristini
Matilde Casadei

assistenti ai costumi
Simona Falanga
Riccardo Filograna

assistenti alla regia
Virginia Landi
Jacopo Squizzato

Emilia Romagna Teatro ERT / Teatro Nazionale, Fondazione Teatro di Napoli – Teatro Bellini, Teatro Stabile di Bolzano, Teatro Stabile di Torino – Teatro Nazionale, LAC Lugano Arte e Cultura

Foto di scena