The Conservatorio della Svizzera italiana and LAC Lugano Arte e Cultura, together with Festival Aperto/Fondazione I Teatri di Reggio Emilia and the Venice Biennale, present an original production: I Cenci, by composer Giorgio Battistelli, a work that premiered at LAC in Lugano on 26 May 2019, performed for the first time in Italian.

Based on the masterpiece written by Antonin Artaud in 1935 and set in papal Rome at the end of the 16th century, I Cenci tells the story of the terrible Count Cenci and his murder, for which his daughter Beatrice is accused and sentenced to death. I Cenci becomes a great tale poised between melologue and opera, in which the voices of the actors combine with the sounds of the instrumental ensemble and electronics, immersing the audience in a veritable “theatre of music”.

The soundscape directed by Francesco Bossaglia is impressive: the Ensemble900 of the Conservatorio della Svizzera italiana is joined by Alberto Barberis and Nadir Vassena for live electronics and diffusion, and Fabrizio Rosso for sound direction. The cast includes four performers, including Roberto Latini, an award-winning actor who has been conducting highly personal research into the possible amplification of the voice and the intrinsic power of words for many years. The cast is completed by Anahì Traversi, Michele Rezzonico, Elena Rivoltini and performer Marta Ciappina.

Giorgio Battistelli wrote the music and libretto for this work, in which he completely renounces the sung voice in order to return to Artaud's conception of “theatre and its double”, of “the theatre of cruelty” as “language in space, languages of sounds, cries, lights and onomatopoeia”. For Battistelli, all vocal emissions, from whispers to declamations, from speech to cries, from guttural sounds and noises to laughter and tears, participate, alongside highly flexible instrumental parts that become oscillograms of emotions, in this theatre of music that renounces all operatic vocality. The symphonic scenes create, through the orchestra and the spoken voice, intrusive and disturbing atmospheres that resonate in everyone's darkest depths of the psyche.

music theatre by
Antonin Artaud

music and libretto
Giorgio Battistelli

publisher
Casa Ricordi, Milan

musical direction
Francesco Bossaglia

direction
Carmelo Rifici

sound direction
Fabrizio Rosso

live electronics and diffusion
Alberto Barberis, Nadir Vassena

with
Roberto Latini and Anahì Traversi, Elena Rivoltini, Michele Rezzonico

with performer
Marta Ciappina

with the participation, on video, of
Fabrizio Rocchi

Ensemble900 of the Conservatory of Italian Switzerland

flute
Eva Martínez Saavedra

clarinets
Joel Alves Cardoso, Marta Sánchez González

bass clarinet
Jonas Morkunas

trumpet
Matteo Villa

trombone
Francesco Parini

tuba
Federico Moscarola

percussion
Paolo Fratello, Tommaso Tola

synthesiser
Federico Melis

violas
Lisa Bulfon, Chiara Ludovisi

cellos
Giacomo Cardelli, Ulisse Roccasalva

double basses
Klaudia Baca, Michele Santi

accompanying pianist
Lorenzo Grossi

costumes
Vogue Lugano

lighting
Pierfranco Sofia

video direction
Francesco Puppini

video photography
Valentina Provini

video assistant
Radiana Basso

visual effects
Emiliano Neroni

co-production
LAC Lugano Arte e Cultura, Stagione 900presente del Conservatorio della Svizzera italiana, RSI Rete Due with Festival Aperto/ Fondazione I Teatri di Reggio Emilia and the collaboration of Biennale Musica di Venezia

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