The Christmas ballet *The Nutcracker* returns, reimagined by choreographer Mauro Bigonzetti to Tchaikovsky’s famous score. The award-winning MM Contemporary Dance Company, directed by Michele Merola, brings this choreographic tale to life.
The Nutcracker
Pyotr Ilyich Tchaikovsky / Mauro Bigonzetti / MM Contemporary Dance Company
© LAC - Foto Luca Del Pia
1 hour 50 minutes
Act I: 45’
Intermission:
20’
Act II: 45’
World premiere
19.12.2025
LAC Lugano
Tournée
17–21.03.2027
Teatro Stabile di Bolzano, Italia
31.01.2027
Teatro Ponchielli - Cremona, Italia
24.01.2027
Teatro Galli - Rimini, Italia
05–06.01.2027
Teatro Lirico - Cagliari, Italia
03.01.2027
Teatro Comunale - Sassari, Italia
19–20.12.2026
Sala LAC - LAC Lugano
16.12.2026
FTS/Teatro Guglielmi - Massa (MS), Italia
10–13.12.2026
Teatro Sociale - Trento, Italia
24–25.01.2026
Teatro Valli, Reggio Emilia
18.01.2026
Teatro Pavarotti, Modena
The Nutcracker
Pyotr Ilyich Tchaikovsky / Mauro Bigonzetti / MM Contemporary Dance Company
© LAC - Foto Luca Del Pia
1 hour 50 minutes
Act I: 45’
Intermission:
20’
Act II: 45’
World premiere
19.12.2025
LAC Lugano
Tournée
17–21.03.2027
Teatro Stabile di Bolzano, Italia
31.01.2027
Teatro Ponchielli - Cremona, Italia
24.01.2027
Teatro Galli - Rimini, Italia
05–06.01.2027
Teatro Lirico - Cagliari, Italia
03.01.2027
Teatro Comunale - Sassari, Italia
19–20.12.2026
Sala LAC - LAC Lugano
16.12.2026
FTS/Teatro Guglielmi - Massa (MS), Italia
10–13.12.2026
Teatro Sociale - Trento, Italia
24–25.01.2026
Teatro Valli, Reggio Emilia
18.01.2026
Teatro Pavarotti, Modena
A captivating ballet that, by retracing the story of Drosselmeier, Clara, Fritz, and the Prince, invites the audience to lose themselves in the world of their own imagination. Through references to Hoffmann’s original tale, 3D set designs, and a physical language that blends reality and fantasy, the young Clara embarks on a symbolic journey marking her transition from childhood to adulthood, in an atmosphere suspended between dream and wonder.
In this production, Bigonzetti—former director of Aterballetto and the Corps de ballet of Milan’s Teatro alla Scala— harnesses the full evocative power of movement and music, which—transcending all forms of language—create a narrative flow that immerses us in the story, bridging generational gaps and differing modes of perception.
Thanks to the sets composed of three-dimensional images, designed by Carlo Cerri, and the period-less costumes conceived by British designers Kristopher Millar and Lois Swandale, this *The Nutcracker*
takes shape in an unreal setting, in harmony with contemporary technological aesthetics. Here, our perception of the flow of images is thwarted by optical illusions, and the constant interplay and overlapping of reality and fantasy seem to generate a sort of electronic short circuit.
Multimedia Content
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Trailer
Lo schiaccianoci
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Partner di produzione
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Notes on the Choreography by Mauro Bigonzetti
This is the first time I’ve tackled a classic ballet like *The Nutcracker*. Throughout my long career, I have created numerous reinterpretations of 20th-century ballets, among which I particularly like to recall *Cinderella* for Milan’s Teatro alla Scala, starring Roberto Bolle and Polina Semionova.
For this production, I have envisioned a reinterpretation that keeps the story’s structure intact and preserves all the elements of Ernst Theodor Amadeus Hoffmann’s original tale in their original, recognizable form, freeing it from the dust of pantomime.
Therefore, this ballet will feature the ball with the arrival of the guests, but even before that, the preparations set in the palace kitchen, where the children, with their excited innocence, will get in the way of the cooks’ work. There will be Drosselmeier—a mysterious enchanter and manipulator—Clara, and the Prince; I have chosen not to include certain secondary roles—such as those of the parents, grandparents, mayor, and governess—which I consider less significant to the story, and I have decided to emphasize the character of Fritz, Clara’s little brother, who will also appear in the second act.
The idea behind this choreographic version is not so much to celebrate the power of imagination and the innocence of childhood as it is to offer a more concrete interpretation: Christmas Eve is the moment when Clara senses that something within her is changing; she feels new desires welling up inside her that unsettle and bewitch her; she senses that her childhood is giving way to something else—but to what? Imagination is transformed into a fear of the new, which invades her dreams, turning them into nightmares; nightmares that, however, will soon dissolve in the Snowflake Waltz, in the beauty of letting herself go with this new feeling.
I worked tirelessly with the dancers of the MM Contemporary Dance Company—some of whom, incidentally, are very young—and their youth brought the freshness I was looking for in this fairy tale.
The second act will not consist of dance performances for the guests in the ballroom, but will instead offer the opportunity to flip through a series of choreographic postcards from around the world, as if flipping through the pages of an album or strolling through the rooms of an exhibition, each with its own dance—Spanish, Arabic, Chinese, Russian—faithfully following Pyotr Ilyich Tchaikovsky’s original score, without any cuts. A journey that leads us to the final Apotheosis; I have carefully crafted Clara’s pas de deux with the Prince with the intention of best expressing the culmination of their love.
Mauro Bigonzetti
Born in Rome, he graduated from the Scuola del Teatro dell’Opera and joined his hometown’s company immediately. After ten years with the Rome Opera, during the 1982–83 season he joined Aterballetto as a dancer, collaborating with, among others, Alvin Ailey, Glen Tetley, William Forsythe, and Jennifer Muller, and also performing in many ballets by George Balanchine and Leonid Massine. In 1990, he created his first work, *Sei in movimento*
, set to music by J. S. Bach. During the 1992–93 season, he left Aterballetto to devote himself entirely to choreography, initially as a freelancer; during this period, he established a close collaboration with the Balletto di Toscana and worked with various international companies. From 1997 to 2007, he served as artistic director of Aterballetto, revitalizing the company and rebuilding its repertoire; after stepping down from the directorship to focus more on his work as a freelance choreographer, he continued to collaborate with the company as a resident choreographer until 2012. In 2016, he directed the corps de ballet of La Scala.
Mauro Bigonzetti has created choreographies for the English National Ballet, Ballet National de Marseille, Stuttgart Ballet, Deutsche Oper Berlin, Staatsoper Dresden, Ballet Teatro Argentino, Balé da Cidade de São Paulo (Brazil), Ballet Gulbenkian (Portugal), New York City Ballet, Turkish State Ballet, Royal Swedish Ballet, Ballet du Capitole Toulouse, Les Grands Ballets Canadiens, Teatro alla Scala, Teatro dell’Opera di Roma, Arena di Verona, and Teatro di San Carlo in Naples.
MM Contemporary Dance Company
The MM Contemporary Dance Company is a contemporary dance company directed by choreographer Michele Merola, founded in 1999 in Reggio Emilia as a production center for events and performances. The company’s repertoire is rich and varied, thanks to the works of its artistic director and other artists such as Maguy Marin, Mats Ek, Mauro Bigonzetti, Silvia Gribaudi, Thomas Noone, Gustavo Ramirez Sansano, Karl Alfred Schreiner, Eugenio Scigliano, Emanuele Soavi, Enrico Morelli, Daniele Ninarello, Ginevra Panzetti, Enrico Ticconi, Camilla Monga, Roberto Tedesco, and Adriano Bolognino.
Today, the MMCDC is, in every respect, a leading institution in Italian dance, with a well-established program of performances throughout the country. For years, it has captured an international audience with performances in European and non-European countries such as Korea, Colombia, Canada, Germany, Russia, Morocco, Belgium, Spain, Slovenia, Czechoslovakia, France, Sweden, Finland, and Serbia. Over the years, it has won numerous awards, including the 2022 Danza&Danza Award for Best Italian Production for the show *Ballade*
by Mauro Bigonzetti and Enrico Morelli.
In 2021, 2022, and 2024, she appeared on Rai 1 in the programs *Roberto Bolle Danza con me*
and *Viva la danza*
, performing, among others, choreographies by Mauro Bigonzetti.
Carlo Cerri
Born in Rome, after his early experiences in opera and experimental theater, he served as resident lighting designer at the Balletto di Toscana from 1989 to 2000, and held the same position at Aterballetto from 2001 to 2017. He collaborates with various international companies, including the Alvin Ailey Dance Company, Ballett Dortmund, Ballet du Capitole, Ballet Gulbenkian, Ballets Jazz Montréal, Ballet Next, Basel Ballet, Bat Dor, Czech National Ballet, Companhia Nacional de Bailado, English National Ballet, Gauthier Dance, Het Nationale Ballet, Les Grands Ballets Canadiens de Montréal, National Ballet of China, Stuttgarter Ballett, Staatsballett Berlin, and Staatsballett Hannover. He has designed sets and lighting for numerous productions, including *Romeo and
Juliet*
, *Bluebeard*
, and *Next*
by Fabrizio Monteverde; *Don Giovanni*
, *Caravaggio*
, *Le Sacre*
, *La Piaf*
, *Canto per Orfeo*
, *Alice*
, *Der Prozess*
, *Cinderella*
, *Haendel*
, and *Madina*
by Mauro Bigonzetti; *Casanova*
by Richard Wherlock; *Don Q*
and *Shahrazad*
by Eugenio Scigliano; *The Raven*
by Joerg Mannes; and *Solitude Sometimes*
by Philippe Kratz. He is the creator of the video-mapping installations *Il cielo stellato sopra di me*
(Reggio Emilia, 2013), *Agorà*
(Reggio Emilia, 2016), La Grande Madre
(Reggio Emilia, 2017), Deinos – Luce dal Caos
(Modena, 2022), and Fetonte
(Modena, 2023).
Studio Millar & Swandale
Kristopher Millar and Lois Swandale are two British fashion designers who live and work in Italy. After completing their studies in the United Kingdom, they moved to Florence, where they worked as assistants to a renowned international fashion designer. They later founded their own atelier in Florence, collaborating as freelancers with prestigious fashion houses in Italy, Paris, and Tokyo. Their first encounter with the world of ballet came through Mauro Bigonzetti, who commissioned them to create costumes and set designs for several productions, including *XNTricities*
for the English National Ballet, *Coppélia*
for the Teatro dell’Opera di Roma, *Interference*
for the Ballet du Capitole, *Pression*
for the Balletto di Toscana, *Caravaggio*
for the Deutsche Oper Berlin, *Adagio Assai*
for the Basel Ballet, *Il concertone*
for the Stuttgart Ballet, *The Rite of Spring*
and *Orfeo*
for Aterballetto. They have also collaborated with Cesc Gelabert on *Ortensia*
with the Balletto di Toscana and created the set designs for Andonis Foniadakis’s *Antitesi*
for Aterballetto. With Eugenio Scigliano, they worked on *Casanova*
for Aterballetto, *Cenerentola*
for the Baltic Dance Theatre in Gdańsk, *Don Q*
and *Dark Shadows*
for Aterballetto, and *Shéhérazade*
for La Scala.
OOOPStudio
is an artistic project founded in 2010 by video designers Alessandro Grisendi and Marco Noviello. Their works bring visionary ideas to life through processes that start from reality to give rise to new forms—original creations that transcend simple representation and are realized digitally through the fusion and convergence of natural elements that find new life and meaning in the digital realm.
The artists approach art by delving deep into the human experience, using digital tools as the most appropriate medium for expressing the present era. Art and technology engage in a creative dialogue that becomes immersive and vital, giving rise to evocative experiences that draw viewers into the development and evolution of a story.
OOOPStudio also creates projects for theater, music, festivals, and performances, boasting prestigious collaborations with major artistic and cultural institutions such as the Venice Biennale, Teatro alla Scala, the Ministry of Foreign Affairs and International Cooperation (Farnesina), the Staatstheater in Hanover, the Nationale Opera & Ballet / Dutch National Opera & Ballet in Amsterdam, and others.
A ballet in two acts
music
Pyotr Ilyich Tchaikovsky
choreography
Mauro Bigonzetti
performers
MM Contemporary Dance Company: Giorgia Raffetto (Clara), Nicola Stasi (The Nutcracker), Elisa Bocconi (Drosselmeier), Giuseppe Villarosa (Fritz), Mario Genovese (Spanish Dance), Paolo Giovanni Grosso, Aurora Lattanzi (Arabian Dance), Anna Dal Maso, Luca Marchi (Chinese Dance), Filippo Begnozzi, Giulia Lusetti, Sara Manzini (Russian Dance), Lorenzo Molinaro, Alice Ruspaggiari (Mirlitons)
and featuring (in alphabetical order)
Matilde Abbati, Jacopo Bellani, Sara Ferrentino, Federico Musumeci, Andrea Palmieri, Diletta Savini, Maxime Schiavon
set design, lighting, and video production
Carlo Cerri
Video Concept and Production
OOOPStudio
costumes
Lois Swandale
Kristopher Millar
costume design
Nuvia Valestri
choreography assistant
Roberto Zamorano
tutor
Enrico Morelli
stage manager
Ruben Leporoni
lighting technician
Corrado Mura
video operator
Alessandro Grisendi
personal tailor
Giulio Morini
production
LAC Lugano Art and Culture
in co-production with
MM Contemporary Dance Company
in production collaboration with
Modena Municipal Theater Foundation