The project explores the multifaceted nature of the concept of memory in the contemporary world, drawing a connection between the progressive expansion of digital memory and the gradual weakening of biological and cerebral memory. In a context where data storage consumes ever-increasing amounts of space and energy, the absorption of lived memory by delegated memory is becoming increasingly evident. The question we ask is to what extent digital storage systems are redefining—or even replacing—human mnemonic processes. What remains when individual memory fades or is erased? We seek to observe how the digitization of memory—now a direct evolution of the human being—may prove to be both an extension of mnemonic capacity and a form of cognitive deterioration at the individual and, subsequently, collective levels. The project takes the form of a collective work, in which the various authors draw from the same archive of sound-memories, reinterpreting them according to an open narrative that is susceptible to deviations at every stage of the creative process.
The original memories are reworked, abstracted, and recombined through digital processes, intertwining with additional sound materials and sometimes undergoing a radical transformation of their initial form. The project takes the form of a collective acousmatic work conceived for performance in an ambisonic environment, with the aim of creating an immersive experience in which sound becomes the primary narrative and perceptual vehicle. Alongside the acoustic dimension, the project includes a significant visual component, entrusted to Maestro Fabrizio Rosso, who will amplify the dramaturgy of the sounds, highlighting the transformation of memories.
Oggimusica Meets Code 2027
_non-persistent.memory
Oggimusica Meets Code 2027
_non-persistent.memory
Abbonamenti musica
risparmia fino al 30%
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Fabrizio Rosso
A composer active in contemporary, electronic, and multimedia music. He earned a degree in guitar from the University of East London, followed by a degree in Music Applied to Visual Media with highest honors from the “C. Abbado” Civic School of Music, and went on to earn a master’s degree in Composition and Theory from the Conservatorio della Svizzera Italiana in 2026. In 2025, he took the Live Electronics course at the Accademia Chigiana in Siena, earning a diploma with honors. The following year, he joined the Chigiana Live Electronics Ensemble. He has participated in masterclasses led by Mauro Lanza, Francesca Verunelli, Ivan Fedele, Luis Naón, Marco di Bari, Eric Maestri, and Miliça Djordjevic. Federico is one of the three artistic directors of Ramificazioni, a contemporary music festival dedicated to young composers and performers. His music has been performed in Italy, Switzerland, England, Lithuania, and South Korea.
A multidisciplinary artist whose work spans music, film, live performance, and video art. He studied piano at the conservatories in Turin, Zurich, and Lugano, and took private composition lessons with Bruno Zanolini. He also attended film directing courses at the USC School of Cinematic Arts in Los Angeles. He has collaborated with Karlheinz Stockhausen, contributing to various projects, including the premiere and recording of *Sonntags-Abschied*, the final piece in the *LICHT* cycle of operas. His works have been presented at prestigious venues and events, including the Venice Biennale, the Berliner Festspiele, Hangar Bicocca in Milan, the Tonhalle in Zurich, the Piccolo Teatro in Milan, the Teatro Manzoni in Bologna, the Turin Science Museum, the Kunstmuseum Basel, LAC Lugano.