After the acclaim obtained by the Eutopiaproject , Trickster-p returns to deepen his research on play as a possible artistic form: The Game investigates the relationship between performance, play and society, wondering what potential might be revealed by the creation of a performative device that focuses on these very aspects.

Long perceived as banal and meaningless, the game has struggled to achieve the same cultural stature as “legitimate” art forms, and only recently has it become the subject of serious debate among philosophers, sociologists and anthropologists, who re-evaluate its value and repercussions also in artistic terms.
Starting from these reflections, Trickster-p creates a privileged space in which spectators can “play” the dynamics of complexity, and at the same time build collective tools for possible change.
The playing field with which we are invited to interact through The Game is contemporary society itself and, in particular, its relationship with money and the economic and market dynamics on which it is based. Money enters our lives on a daily basis, determining our fears, choices and concerns; money is an element of exchange, a means of personal affirmation, a resource and at the same time a taboo. Today, questions about money have a profound meaning, which definitely has to do with our daily lives. How much can we participate in the game of the market, or how much are we ourselves played? Is it possible to see the collective as a component of individual desires rather than a limitation of them?
Just as conventional theatrical performances allow us to experience lives we have not lived, play allows us to experience forms of action we would never have discovered on our own; The Game does not merely uphold existing social and cultural positions, but opens up the possibility of disrupting and modifying them, showing how fluid our power can be and how play means (also) questioning our identity through our actions.
The Game is a participatory and intergenerational project that invites people to come together and build together: children, adults and seniors of all ages, backgrounds and horizons are welcome.

creation
Trickster-p

concept and realisation
Cristina Galbiati
Ilija Luginbühl

artistic collaboration
Maria Da Silva
Yves Regenass

game design collaboration
Pietro Polsinelli

original sound space
Zeno Gabaglio

external eye
Martina Mutzner

graphics and staging consultancy
Studio CCRZ

production
Trickster-p
LAC Lugano Art and Culture

in co-production with
ROXY Birsfelden, Theater Casino Zug, Theater Chur, Theater Stadelhofen Zürich, TAK Theater Liechtenstein, Triennale Milano Teatro

with the support of
Pro Helvetia - Swiss Arts Council, DECS Repubblica e Cantone Ticino - Fondo Swisslos, City of Lugano, Novazzano Municipality, Amt für Kultur Kanton Zug, SWISSLOS/Kulturförderung Kanton Graubünden, Migros Kulturprozent, Göhner Stiftung, Landis & Gyr Stiftung, GKB BEITRAGSFONDS, Boner Stiftung für Kunst und Kultur, Stiftung Dr. Valentin Malamoud, Fondazione Agostino Agostino, Stiftung Dr. K. K. K. K., K. K. K. K., K. K. K., K. K. K., K. K. L., K. L., K. L., K. L., K. L. and K. Valentin Malamoud, Agnese and Agostino Maletti Foundation, Casty-Buchman Stiftung, Winterhalter Foundation

LAC Lugano Arte e Cultura, Lugano
21.03-28.03.2024

Casa degli Artisti
FOG Triennale Milano Performing Arts, Milano
03-07.04.2024

Theater Chur, Coira
29-31.05.2024

Operaestate Festival B. Motion, Bassano del Grappa
21-24.08.2024

Invisible Cities, Gradisca d’Isonzo
07/08.09.2024

Internationales Fest der Puppen, Lingen
14-17.09.2024

Insolito Festival, Parma
20-22.09.2024

ROXY Birsfelden, Birsfelden
27.11-01.12.2024

LAC Lugano Arte e Cultura, Lugano
16-19.01.2025

Theater Stadelhofen, Zurigo
23-26.01.2025

Theater Casino Zug, Zugo
26.02-01.03.2025

Theater Winterthur, Winterthur
12-15.03.2025

14.05-17.05.2025
auawirleben & Schlachthaus Theater, Berna

31.05-05.06.2025
TAK Theater Liechtenstein, Schaan

07/08.06.2025
Territori Festival, Bellinzona

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