Published in 1923, La coscienza di Zeno by Italo Svevo was a revolutionary novel: the author depicts the crisis of the modern man, proceeding through thematic clusters that deconstruct the traditional linear plot. Svevo portrays a man who was ahead of his time, a weak-willed anti-hero searching for the origins of his malaise.

The protagonist obsessively revisits his past, attempting to identify the affliction that has hindered his fulfilment, following a stream of consciousness that constantly treads the fine line between sincerity and falsehood, between rationality and the unconscious. In his attempt to tell his own story, deep contradictions and inner rifts are revealed.

In the vision of Oyes, a contemporary theatre company, Zeno Cosini is the paradigm of a bygone humanity, of a time that is drawing to a close but refuses to fade away; he moves without a centre of gravity, struggling to make sense of the reality around him, now devoid of any certainties to fall back on.

On stage, a public self-analysis unfolds, involving the characters from the protagonist’s life—ghosts of his conscience—clinging to and trapped in a century now past, in a surreal game where the planes of reality blur. Zeno torments himself by retracing the critical moments of his existence, where the narrative becomes a tragicomic graveyard of good intentions.

uno spettacolo di
Oyes

testo di
Stefano Cordella
Dario Merlini
Noemi Radice

consulente / dramaturg
Simone Faloppa

regia
Stefano Cordella
Noemi Radice

con
Livia Castiglioni
Daniele Crasti
Francesca Gemma
Francesco Meola
Dario Merlini
Fabio Zulli

scene e costumi
Stefano Zullo

disegno del suono e musiche originali
Gianluca Agostini

disegno luci
Alberto Biasutti

assistente alla scenografia
Nina Donatini

assistente ai costumi
Federica Famà

produzione
Teatro Metastasio di Prato
LAC Lugano Arte e Cultura
Teatro Stabile del Veneto
Oyes

con il sostegno di
Centro di Residenza della Toscana (Armunia - CapoTrave/ Kilowatt)

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