As part of the LAC’s season dedicated to Romeo Castellucci, there will be a conversation open to the public between the Maestro and Piersandra Di Matteo, a performance theorist who collaborates with him as a dramaturg. The event is part of the SciArt 2026 project, promoted by the IBSA Foundation for Scientific Research, in collaboration with LAC Lugano Arte e Cultura and MASI Lugano, the Museum of Art of Italian-speaking Switzerland.
Talk: A Conversation with Romeo Castellucci
In conversation with Piersandra Di Matteo
45'
Reservations are recommended
45 minutes + Q&A
Talk: A Conversation with Romeo Castellucci
In conversation with Piersandra Di Matteo
45'
Reservations are recommended
45 minutes + Q&A
A director, set designer, lighting designer, and costume designer, Castellucci is internationally recognized for creating a form of theater rooted in the totality of the arts, in which the power of images and the interdisciplinary nature of artistic languages take center stage.
Just a few days before *Credere alle maschere* (a performance presented at MASI Lugano from January 29 to 31, 2027), Castellucci and Di Matteo—the playwright of this work and of *Faust. Fatto, non detto, staged on February 22 and 23 in the Sala Teatro—will delve into the artist’s philosophy and creative process. The conversation will explore fundamental themes of his work: the relationship between image and word—including the new possibilities offered by technology—the role of the body on stage, and the dialogue between tradition and experimentation, art, science, and perception.
Partner di ricerca scientifica
As part of
SciArt 2026
Related events
21.01.2027
18:00
Cinema Iride
29–31.01
Museo
22/23.02
Sala Teatro
Romeo Castellucci
A director, set designer, lighting designer, and costume designer, he is known worldwide for having created a form of theater based on the totality of the arts and aimed at a holistic perception of the work. His work presents a dramaturgy that overturns the primacy of literature, transforming his theater into a complex art form—a theater composed of extraordinarily rich imagery, expressed in a language as accessible as music, sculpture, painting, or architecture. His productions are regularly invited and staged by the most prestigious international theaters, festivals, and opera houses in over sixty countries spanning every continent. At the LAC in Lugano, he presented *Democracy in America*, *Bros*—in its world premiere—and *Bérénice*, a production in which he directs Isabelle Huppert.
A recipient of the Golden Lion at the Venice Biennale and the title of Officier de l’Ordre des Arts et des Lettres from the French Republic, he has received numerous major awards and honors throughout his career.
Piersandra Di Matteo
Piersandra Di Matteo is a scholar, dramaturg, and curator in the field of the performing arts. She is a member of PerLA | Performance Epistemologies Research Lab at the IUAV University of Venice, where she taught for many years. In 2026, she was an Associate Research Scholar at the Italian Academy at Columbia University in New York; in 2017, she was a Visiting Scholar at the Graduate Center of CUNY. Since 2008, she has been a close theoretical collaborator of Romeo Castellucci, with whom she works as a dramaturg at international theater and opera institutions. She has given lectures and seminars at universities and international research centers, including Harvard University, the University of Pennsylvania, the School of Creative Media in Hong Kong, the Shanghai Theatre Academy, LASALLE College of the Arts in Singapore, DAS Theatre and SNDO in Amsterdam, UQAM in Montréal, MITsp in São Paulo, and the Pistoletto Foundation. She served as artistic director of Short Theatre (2021–2024) and the Atlas of Transitions Biennale (2017–2020). Since 2024, she has been curating residency projects for the Académie of the Festival d’Aix-en-Provence. She is currently Curator-at-Large for FAULT. Field for Artistic Unmastery and Living Transmission at LAC Lugano Arte e Cultura.