Award-winning choreographer Michele Di Stefano brings to the stage a proliferation of choreographic systems that evoke a new folklore—imaginary and projected toward a world yet to come—where disorder reigns, the environment becomes murky and pulsating, and the desire for rewilding can finally flow undisturbed. 
There is no place for the exotic: it is pure representation. But it is precisely this abstract void that can transform into a real space, a container to be redefined. Panoramic Banana is a collection of sounds, dances, and images arranged like a catalog, alluding to a story of conquests and abuses, unfolding at a resort on the edge of the world. An evoked environment that rests on a single wild principle: mixture, proximity, and the incomprehensible euphoria of a pact between perpetrators and victims. 
While ethnologists turn their attention to studying the last indestructible tribe still in circulation—the tourist tribe—and anthropologists take refuge in the analysis of TV series, “wild” thought is forgotten by the entertainment industry but proliferates undisturbed in the mist. No proclamation of redemption—and precisely for this reason, absolutely crucial for the future of humanity: a future that is sonic, aquatic, tropical, 40 degrees in the shade, epidemic, soothing, anatomical, and humid.